French for Rabbits - Gone Gone Gone



Now comfortably ensconced in the Port Chalmers area near Dunedin, French for Rabbits are finally home to rebuild and get creative again. Brooke Singer and John Fitzgerald (and band) have had a hectic couple of years bouncing around the planet. They have also recently launched their debut album "Spirits". "Gone Gone Gone" is from the album and is the fourth single release I think. There are some great tracks on this album and I suggest you have a listen at the link below. This video, done in partnership with Ready!Steady!Studio! was mostly filmed in late 2013 on the band's first tour of Europe. As part of it they spent five weeks living at a surf camp in Portugal, home of the waterfight scenes. The New Zealand footage was shot around Aramoana, a beautiful place, with a very sad history. As Brooke says "its such a stunning place - it always feels a little eerie to me - the houses are a little bit shabby, and you can go out to the beach there and not see a soul...". The Bali kite footage was filmed separately by Jacob and Hana from Ready!Steady!Studio!. French for Rabbits are a very special band, with a fragile dream pop that is magical live. I saw them in Rough Trade in Notting Hill in London, and despite the restricted circumstances of a tiny record store, their music just floated. The album is highly recommended. I own it.

http://frenchforrabbits.bandcamp.com/

French for Rabbits - Gone Gone Gone

The Impending Adorations - The Best Is Yet To Come



In 2013 and 2014 I came upon The Impending Adorations (IA), a solo vehicle for Paul McLaney, an artist who would possibly be more familiar to those with a few years under their belts. They would have known him as Gramsci in the late 1990s, early 2000s. I had liked Gramsci, but in The Impending Adorations, with its looped found sounds, atmospheric/ambient bent, and much matured vocal stylings, I had stumbled upon something of greatness. Many other reviewers have come to similar conclusions. In 2014 Paul started to work more closely with Andy Lovegrove, who some might recognise from Breaks Co-op, they of the early-2000s hit single "The Other Side" (linked below). This meeting coincided with an increasing frustration that Paul could really only take IA live with a laptop. Wanting to build more of a live format, this led to the evolution that we hear in "The Best Is Yet To Come", the first of three singles showcasing a more organic sound...which of course, can be taken on the road. "The Best Is Yet To Come" is a beautiful piece of work, which for me is almost a blend of the best of Van Morrison, Bryan Ferry and David Sylvian (and we will throw in Tears for Fears for the triplets). Yes, this song has clear roots in the 1970s and 1980s, but this is a conscious artistic direction for Paul who says "what we are trying to achieve with the new IA stuff is to rejuvenate that space of composition that inspired me - the more sophisticated area of pop - things like Peter Gabriel, The The, Talk Talk etc - music that was informed by a few more years on the planet and the experiences picked up along the way." And Andy Lovegrove's production on this single? It's sublime. Rich, textured and balanced. The video from redkidOne has a strong thematic link with the song's lyrics. Paul says the song was "written for a dear musical colleague who is battling a pretty serious depressive illness resulting in a few attempts on his life. In my time as working musician its an illness that seems highly prevalent amongst my peers, along with bipolar etc. The video is meant to be a metaphor for that descent; the letting go. Lyra - the central character is meant to represent the other and I suppose the male/female balance is some sort of id/ego thing. The plan is that we see her evolution to something more divine over the course of the next 2 vids". So expect a trilogy of singles with an emerging visual thematic link. The next single is "When The Wind Blows", to be in turn followed up by "Realpolitik". I have heard "When The Wind Blows" and loved it. "The Best Is Yet To Come" is also one of a trio of simultaneous releases from new collective/label "Revolution Music NZ", the others being Ed Waaka's "No Enemy of Mine" and Troy Kingi's "Break A Bone". If you would like to get more involved with The Impending Adorations, I have supplied links below. I have bought everything so far!

Bandcamp - http://theimpendingadorations.bandcamp.com/
iTunes – https://itunes.apple.com/nz/album/the...
Amplifier – http://www.amplifier.co.nz/release/11...
Google Play – https://play.google.com/store/music/a...
Rdio – http://www.rdio.com/artist/The_Impend...
Spotify – http://open.spotify.com/album/2CsbjW4...

Breaks Co-Op - The Other Side
https://www.youtube.com/watch?v=FFp1s8RHemc

The Impending Adorations - The Best Is Yet To Come

Ancient Tapes - Passing Of A Year



Sink \ Sink was a pretty special discovery for NZMusic4U back in 2013. Formed by Gareth Schott, an academic in computer gaming (amongst other things) at the University of Waikato, it is a beautiful mix of ambient, lo-fi and shoegaze influences. I have included a link to their music below. Gareth (guitar, songwriting) in collaboration with Sam Brockelsby (vocals, guitar, singwriting), Rob Shirlow (bass) and Mark McGeady (drums), has recently formed Ancient Tapes, bringing together diverse backgrounds into a format that channels influences from the mid-1990s, and earlier I would say. They have a love for shoegaze, although "passing of a year" is not obviously of that genre. What is it? A dynamic, surging mash of what sounds like early 1980s Chills, Smashing Pumpkins, Jakob and even the Golden Awesome. Shoegaze makes a crashing appearance in the coda. I can also hear sink \ sink in there, perhaps driven by the cello part, an addition that takes the track to the next level. This first single off the "Hummingbird" EP is both haunting and compelling. The EP was recorded on November 20th (yes in a day) with engineering and production by Sean Erin Lynch. Although Sam Brockelsby is the principal lyricist in the band, this track's lyrics are drawn from a poem by a friend of theirs, Annabel Henderson Morrell, titled "those weighed down by keys". You can read them on the Bandcamp site. The video is a clever found-footage montage I presume was put together by the band members. Love that parting car crash edit! The "Hummingbird" EP was officially released yesterday and is available at the link below. I love it. Favourite tracks are "passing of a year" and "a lifetime of". Go have a listen. I have bought it.

http://ancienttapes.bandcamp.com/releases

http://sinksink.bandcamp.com/

'passing of a year' by ancient tapes

Princess Chelsea - No Church On Sunday



Original, quirky and a little bit world famous, Princess Chelsea has intrigued me for some time. "The Cigarette Duet" is one of those phenomena of the interwebs, with over 18 million views (no, not a misprint) of a video that pretty much anyone can enjoy for its minor subversion.  Bringing a sort of alt-nursery-rhyme (watch me destroy the English language) angle to New Zealand music, Chelsea Nikkel's art is a little ironic, sometimes acerbic but also playful and optimistic. There is maybe something of the Galactic Alliance here (if the Greens had put together a successful campaign in the Senate). In the interview linked below, Chelsea mentions someone describing the video for "No Church On Sunday" as "retro-futuristic". I think that encapsulates Princess Chelsea. And this is a much-loved artist. Most NZ musicians/bands I post on have maybe 10,000-20,000 Facebook followers if they are doing well. Princess Chelsea has over 60,000. There is something going on here. "No Church on Sunday" is from the forthcoming album "The Great Cybernetic Depression" which Chelsea says is "a more consistent sound than my first album, Lil' Golden Book, which had quite a varied palette." There is clearly lots of '80s timbre to come...in Chelsea's words, the album being "absolutely covered in Yamaha DX7s and Roland D50 Fantasy Bells with a huge snare." The "No Church on Sunday" video was directed by NZ's own video-Dali, Simon Ward, who was apparently channelling a video from early 90s female duo Shakespear's Sister. I assume "Stay", in which case I think it moves beyond that pretty easily. You can read more about Princess Chelsea and the new album at the very good Catalogue interview link posted below. You can also buy her choones at the Lil' Chief link. They do make a habit of sneaking up on one...

http://princesschelsea.lilchiefrecords.com/

https://www.cataloguemagazine.com.au/feature/princess-chelsea-talks-17-million-youtube-views-and-her-favourite-love-songs

Princess Chelsea - No Church On Sunday

Mikey Ellesmere - Mad Genesis



From "The Mikey Ellesmere LP" due March 27th, this is the first single from emerging Wellington MC, Mikey Ellesmere, real name Michael Androutsos. A one-time up and coming footballer from the Olympic football club in Wellington, injuries have seen him with time to devote to building a hip hop identity. And it is an interesting identity, one that probably can't escape the Greek community he comes from. Good! The first track I heard from Mikey about 12 months ago stood out ("Beautiful Misery" - see the Soundcloud link below). He seems to have an awareness of the overall sound he wants, and everything I have heard so far is not your usual local fare. There is ambition here. He has spent over a year working on the new album, which features Andy Fisher, Rei, Tomato Willis, El Capitan, Sujai Jones and Ants Ransley. The "Mad Genesis" single, in his words, "documents my journey mentally", "from starting as a mediocre artist and growing to what I am today, whilst also looking forward to what the future holds." Why is the video posted here? Mikey's rapping delivery stands out from the crowd (a large crowd), the production is big (Mikey's), and there are some great lines e.g. "The Parthenon is broken". If you like what you hear, there are a bunch of links below where you can follow Mikey Ellesmere. Looking forward to that album!




Mikey Ellesmere - Mad Genesis

 

Bad Blocks - Circulate



I grew up in the 1980's on David Sylvian (and brother), and friends Holger Czukay and Robert Fripp taking random, but mostly tuneful samples, and building complex textures that were initially challenging, but very rewarding in the long term. None of that was commercially viable outside what was quite a wide global niche at the time. But having never thought that particular blend of randomness would make its way into the mainstream, in 2014 I then come across Bad Blocks. Effortlessly blending a pop sensibility with cinematic vision, and what I experience as an exciting mash-up of rhythmic and tonal discontinuities, my first listen revealed a masterclass. The maturity of the "Circulate" EP is breathtaking. Confident, restrained, moving. And just challenging enough. I am so excited about the potential for this two person venture, Hamish Lang and Daniel Neeve. As their record label, Brooklyn-based Stars and Letters says, their music is "at once familiar and yet quietly corrupted". The two of them met in Wellington and were initially working under the "South City Sushi Cop" moniker, but "Bad Blocks" works so much better (and for me, is one of the best band names I have come across in awhile). Hamish and Daniel currently reside in Melbourne, but I would not be surprised if events take them much further afield. The first video from the EP is suitably proficient, directed by another talented Kiwi, Josh Prendeville (website link below). You can buy the "Circulate" EP at the Stars and Letters link below. This is my favourite purchase of 2014. Find out more at the Stars and Letters link below.

https://starsandletters.bandcamp.com/album/circulate-ep

http://starsandletters.com/badblocks/

http://www.joshprendeville.com/

Bad Blocks - Circulate from Bad Blocks on Vimeo.

Broods - L.A.F



It has taken me awhile to warm to this track (audio released July 2014, video released November 2014)...and not sure why, as it now seems an obvious inclusion in this blog. The snappy syncopation of the rhythm track, a huge chorus, and Joel Little's wonderful production should all be recognised for being essential components of one of the best New Zealand pop tracks of the last twelve months. The song is off Broods' album "Evergreen" released earlier in August 2014. I am not sure what sort of traction the band is getting stateside, but if they keep releasing tracks as strong as this, it is only a matter of time. I note the album has so far peaked at #1 in New Zealand, and #5 in Australia. That sort of success surely demands some further global label investment over the next couple of years, at the very least. The video was directed by Jordan Arts of Fish&Clips, with production by Felicia Asplet. Fish&Clips have pumped out some beauties previously (see link below), and although the video works conceptually, and there is some stunning imagery, for me it's execution doesn't quite fire. But who am I to judge? You can buy the "Evergreen" album at the link below. I have bought it.

https://itunes.apple.com/nz/album/evergreen/id895397276

http://www.fishnclips.com/

Broods - L.A.F

Lontalius - Walk Me Home



In a society dedicated to reducing the gap between want and delivery, it was inevitable that there would be a backlash against the last thirty years' tsunami of instant gratification. There have been many strands to this backlash covering music, fashion, design and writing to name just a few. What is now the "hipster" aesthetic is a coagulation of these strands. The aesthetic in itself has created a banality of its own, with, for example, "retro", and "irony" now often existing for their own sake, without context. It has in some cases become almost comic. But there was a reason for all of this. As we lose the ability to be "present", we crave being in touch with those qualities of life that have been waylaid. And in artists like Lontalius (Eddie Johnston) we witness our barren consumer-technological fabric being used as a platform from which to record simple, genuine thoughts and feelings. Eddie has described his music as "sitting in your bedroom feeling sad about nothing in particular". Granted it could be taken as that superficially, but there is more to it. This sounds like our youth trying to survive with soul intact in a frantic, messy, noisy electronic world. "Walk Me Home" as it is heard here is not purchasable, and is actually a collaboration with Canadian producer Ryan Hemsworth from his new EP, "Alone For The First Time". Ryan's interpretation is completely different, but still very good. This version, with raw vocals, surging Casiotone textures and beautiful counterpoint, is just stunning. And the video from Arty Films is brilliantly sympathetic. With wonderful editing (the neon arrows syncing with the Casiotone at 0:30!) and colouring, the video is also notable for the number of quality shots squeezed out of a suburban convenience store. Arty Films is Arty Papageorgiou, a Wellington-based writer/director who clearly has an eye for beauty where others don't initially see it. I have provided a link to his Tumblr site below. Lontalius has a new album coming in 2015, from which the first single is "Light Shines Through Dust" (linked below), in my opinion a candidate for New Zealand song of 2014. The sign of a good songwriter is a song's genre-immunity. Eddie's songs have that. There is also something of the "Thom Yorke" here. It is still early days, but Eddie Johnston is promising to be one of the greats.

https://soundcloud.com/lontalius-official/light-shines-through-dust/s-7tc6F

http://artyfilms.tumblr.com/

Lontalius - Walk Me Home (Convenience Store Performance)

SJD - I Wanna Be Foolish



I have been listening to SJD for over a decade now, and unlike many of the artists followed over the years, it has been easy to keep coming back to Sean Donnelly's music. I challenged myself to get inside why that might be the case, and came to the conclusion it was the balance of elements that keeps it working. No one element dominates. There is melody, texture, dynamics, textural dynamics, and lyrics that are, well basically not shit (which can sometimes be a problem with musicians' musicians). The lyrics are sometimes spectacular. ("Superman, You're Crying" is a favourite.) And there has been a continual reinvention of his sound. Evolutionary rather than revolutionary, although there have been some big leaps. For me the SJD experience has almost always has been a more introverted, more technical, more rewarding Neil Diamond-like experience. I am sure the parallels have been made at least once, and it really comes down to one thing, his voice is similar. I am not going to push that too far, as Sean's music is so much more than Mr Diamond's, but that is how it is experienced. "I Wanna Be Foolish" is off the new album "Saint John Divine" due out in March on vinyl, CD and digital through Roundtrip Mars with distribution through Universal NZ. The next radio single, "Helensville" is more than a pleasure, it is a sublime track. The album was recorded with a team that included James Duncan, Chris O'Connor, Sandy Mill, Mike Hall and Neil Finn. There are apparently other notables also...but I have no names at time of writing. Look out for the second single and video for "Little Pieces" due out in February. As for the very clever video for "I Wanna Be Foolish", this was directed by Greg Page of FishNClips. Has there ever been a bad SJD video?! I have provided some links below where you can find out more about SJD, or maybe buy into some of that back catalogue. Here's to the speedy appearance of the new album!

SJD links:
https://www.facebook.com/pages/SJD/12793501823
https://itunes.apple.com/nz/artist/sjd/id23879610
http://elasticwasteland.com/

FishNClips website:
http://www.fishnclips.com/

SJD - I Wanna Be Foolish

Delete Delete - Broken Heart Kid



In a way this is a trailer for a 2012 short film from Damon Keen called "Last Flight". At the request of the band he distilled a 15 minute short film down to 4 minutes for a video for a song it now seems made for. A spectacular piece of film, it was shot on White Island in the Bay of Plenty, and Tongariro National Park. If you would like to watch the full movie, I have included a link below. It was good enough to be picked up several film festivals. So what about this song? The pop sensibility just drips off it. There is some serious song-writing experience in the Delete Delete team, bringing together Lani Purkis, Kurt Shanks, Chris van der Geer who have all been members of successful NZ bands previously (Elemeno P and Stellar to name a couple). If I were to pick a period and a place that Delete Delete's inspiration seems to have emerged from it, is early 1980s USA synth-pop/rock, what they called "new wave", but which was stylistically so different to the punk-inspired non-electronic "sound" that emerged from the UK in the late 1970s. Successful USA "new wave" often turned up as strong hooks delivered as an electronic/guitar blend with strong female vocals. I hear Berlin, Pat Benatar, Kim Wilde and so many other artists of that era in Delete Delete's music. I also hear radio magic. Go to the Soundcloud link below to see what I mean. The band have their debut album due out in the first half of 2015.  If you would like to see the Delete Delete live, they are on tour through NZ in January. The shows are in Christchurch (DuxLive Jan 8), Dunedin (Chicks Jan 9), Wanaka (Lake Hawea Hotel Jan 10) and Auckland (Golden Dawn Jan 16). Tickets are available from Eventfinder.co.nz for the first two shows, and on the door for the Wanaka and Auckland gigs. Plenty of links below to explore!

https://soundcloud.com/delete-delete-band
http://www.deletedeleteband.com/
https://www.facebook.com/deletedeleteband?ref=bf

Last Flight movie: https://www.youtube.com/watch?v=3F9IJPptXyM

Delete Delete - Broken Heart Kid